
NX-7
The NX-7 is designed for optimal warmth and clarity. The outstanding pick-up pattern and sound quality make NX-7 ideal for vocal,drums, guitar amplifiers and other instruments. The dynamic shock mount keeps noise to a remarkable low level. The top-flat grille allows mic. cartridge closer to a sound source to maximize low frequency proximity effect.
Specifications:
Type Moving Coil Dynamic
Frequency Response 50~16,500 Hz
Polar Pattern Cardioid,rotationally symmetrical about microphone axis, uniform with frequency
Sensitivity(at 1,000Hz) -72dB*(0.25mV)*0dB=1V/μbar
Impedance 600Ω
Phasing Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Connector Three-pin professional audio connector
(male XLR type)
Case Metallic enamel-painted die cast metal body with hardened, matte-finished steel grille
Net Weight 235 grams (8.3 oz)
Saw KPODJ's early August 2016 info about JTS microphones and decided "what the heck" and bought a JTS NX7 from KPODJ at VIP pricing for less than $80 including shipping. Intended NX7 use as another backup/handoff mic for the instances where someone else will use a mic and I'm reluctant to hand them my Sennheiser E945. Here's a summary conducted over a few pony bottles of Rolling Rock and using the NX7 as my main mic for a few sets. JTS is a legit company and their NX7 is very comparable to the Shure Beta 57A. The NX7 price is almost half the price of a Beta 57A. JTS NX7/NX8 and Shure Beta 57A/Beta 58A respectively are the same mic per manufacturer with the difference being the windscreen. If the singer is loud, a screamer, or for a karaoke mic please consider going with the NX8 or Beta 58A. I'm extremely impressed with NX7's initial clarity, response and output as a vocal mic and if I was getting established I'd be comfortable with a NX7 as my main goto mic. Remains to be seen how the NX7 will hold up after years of service; of and which I do not feel will be a factor because quality and attention to detail appears to be quite evident in the JTS mic.