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Rane HC6S (Rane HC-6S)
Headphone Amplifier
HC 6S Headphone Amplifier
The Rane HC 6S is one of the most indispensable products in today’s audio industry. Featuring six stereo headphone amplifiers, the HC 6S performs a number of necessary tasks, not all of which are headphone related.
The HC 6S provides Master stereo Inputs which can be used to drive any or all of the 6 stereo headphone amplifiers. A Mono switch is provided on the front panel to drive both channels of all 6 amplifiers from a common mono source. Six individual unbalanced stereo Inputs are available to drive any individual amplifier from a separate stereo source. These Inputs can be converted to mono balanced Inputs through internal jumpers if required. Outputs for all six channels are provided on the front panel and on the rear panel so that headphones may be connected on either side based on the requirements of a given installation. Two pairs of headphones may be driven from each channel, one pair connected to the front and one to the rear.
The HC 6S is capable of delivering up to 500 milliwatts into headphones with rated impedances between 32-600 ohms. The precise amount of power depends on the exact impedance of the headphone in use and the number of headphones connected to the unit. Under most conditions, the HC 6S produces sound pressure levels in excess of 120 dB. This level is more than adequate for most listeners.
At first glance the HC 6S looks like any other headphone distribution
amplifier. Indeed, it performs superbly all the basic functions of such an
instrument. Two balanced Inputs provide a master stereo signal to six stereo
headphone amplifiers, with individual stereo Level controls. The Master Level
control allows adjustment of the main stereo Input level for proper matching to
any source. In addition, a Stereo/Mono switch converts the stereo Inputs to mono
operation when required.
However, several unique features of the HC 6S allow performance well beyond the
limits of standard headphone distribution amplifiers. Besides the stereo Master
Inputs, the HC 6S provides separate stereo Inputs for each of the six headphone
amplifiers. Whenever a signal is plugged into the individual stereo Input, the
Master stereo signal automatically disconnects from that amplifier, allowing the
remaining stages to be fed either from the Master stereo Inputs or likewise from
another separate input. This feature opens new applications for the HC 6S,
allowing operation as either a standard distribution amplifier or as six
separate amplifiers, or any combination of both. By connecting the six Inputs to
a monitor mixing console, or to sub-master sends, or even to a patch bay, the HC
6S converts any size studio to a custom headphone monitor mixing system. You now
can give each vocalist more of their voice for increased clarity; or add more
kick drum to the bassist (without giving everyone else a headache); or let the
producer monitor the straight mix all at the same time. This feature proves
equally valuable to broadcast facilities, video production studios, language
labs and other educational facilities.
The HC 6S provides Output jacks on both the front and rear panels. The front
jacks (paralleled with the rear jacks) add considerable flexibility and ease of
operation. This feature allows permanent rack-mounting while maintaining instant
access to any of the Outputs. Cueing becomes a snap; a must for monitor mix
adjustments, and allows additional monitoring or routing without the use of a
patch bay. Or, for language labs and other demo purposes, this feature means up
to 12 headphones may be driven simultaneously.
The HC 6S makes a valuable tool for any band wanting to practice anywhere,
anytime, at any volume, without disturbing a soul. By connecting the HC 6S
directly to the mixer outputs and using headphones instead of amps and speakers,
the entire band can perform at ear shattering levels, with no feedback, with
amazingly cleaner, clearer sound. The HC 6S is a very cost-effective alternative
to renting a practice studio for every rehearsal.