The FBT Ventis 112MA is a 12-inch powered coaxial stage monitor designed for live performers, musicians, mobile DJs, and professional sound reinforcement applications. Featuring a custom 12-inch woofer with a 2.5-inch voice coil, a B&C high-frequency compression driver with a 1.7-inch voice coil, and 900W RMS bi-amplification, it delivers up to 132dB peak SPL with consistent 90° conical coverage. Its built-in DSP provides six factory presets, two customizable EQ presets, adjustable delay, and multiple limiter settings for flexible sound optimization. With a durable 15mm birch plywood enclosure, integrated carrying handles, and a 35mm pole-mount socket, the Ventis 112MA is suitable for floor monitoring, DJ booths, touring productions, and portable PA applications.
The FBT Ventis 112MA delivers professional stage monitoring performance through a two-way, bi-amplified coaxial speaker design. Its custom 12-inch woofer features a 2.5-inch voice coil for controlled low-frequency reproduction, while the coaxially mounted B&C compression driver uses a 1-inch exit throat and 1.7-inch voice coil for clear high-frequency response. The integrated amplifier provides 700W RMS to the low-frequency section and 200W RMS to the high-frequency section, delivering 900W RMS combined power with up to 132dB peak SPL. Its 55Hz-20kHz frequency response and 90° conical dispersion make it suitable for vocals, instruments, DJ monitoring, and professional live sound reinforcement.
The Ventis 112MA incorporates a powerful onboard DSP system designed to optimize speaker performance across different applications. Six factory presets provide quick access to settings for standard monitoring, drum fills, paired monitor configurations, front-of-house sound, vocals, and touring use. Two additional user-programmable presets allow detailed sound customization through five adjustable EQ filters per memory slot. Further processing includes a 3-band equalizer, adjustable high-pass filtering, configurable limiter modes, and digital delay from 0 to 10 meters. These controls allow sound engineers and performers to adapt the monitor to stage acoustics, personal monitoring preferences, and different speaker placement requirements.
Designed for flexible audio connectivity, the Ventis 112MA features a balanced XLR/TRS combo input with selectable microphone or line sensitivity, along with a stereo RCA input for connecting external playback sources. Separate input level controls allow adjustment of connected sources, while the main digital volume encoder provides access to the DSP menu. The XLR output can be configured to pass the original input signal or send a combined output mix to another powered speaker. A rear-panel display provides access to system settings, preset selection, limiter configuration, equalization, and operating information, simplifying setup and troubleshooting during live performances.
The Ventis 112MA features a durable 15mm birch plywood cabinet with internal reinforcement and a scratch- and scuff-resistant black finish. Its bass-reflex enclosure is designed for stage monitoring, while the coaxial driver arrangement maintains consistent sound distribution across the listening area. Two integrated wooden carrying handles simplify handling and transportation, and the built-in 35mm pole-mount socket allows the speaker to be positioned vertically for portable PA or front-of-house applications. An optional mounting bracket supports wall installation, making the speaker suitable for permanent sound reinforcement systems in clubs, theaters, auditoriums, and houses of worship.
With its combination of high-output bi-amplification, coaxial transducers, advanced DSP processing, and flexible mounting options, the Ventis 112MA provides a practical solution for professional musicians, live sound engineers, touring companies, DJs, and installation technicians. Whether used as a dedicated floor wedge, DJ booth monitor, side-fill speaker, or compact PA loudspeaker, it delivers powerful sound reproduction and adaptable system control for demanding entertainment environments.
| Beam Angle | 90° conical degrees |
| Connectivity Protocols | Balanced XLR/TRS combo input, stereo RCA input, XLR output |
| Frequency Response | 55Hz-20kHz Hz |
| Impedance | 22 kOhms ohms |
| LED Type | Not applicable |
| Lumen Output | Not applicable lumens |
| Max SPL | 132dB peak dB |
| Power Rating | 900W RMS / 1800W Peak W |
| Wattage | 900W RMS total amplifier power W |
| Brand | FBT |
| Name | FBT Ventis 112MA |
| Primary Category | Powered Coaxial Stage Monitor |
| Build Material | 15mm birch plywood |
| Dimensions | 21.96 x 12.24 x 17.80 in (558 x 311 x 452 mm) mm |
| Included Accessories | 5m (16.4 ft) AC power cord |
| Mounting Options | 35mm pole-mount socket, optional wall-mount bracket |
| Transportability | Two integrated wooden carrying handles |
| Weight | 40.8 lb (18.5 kg) kg |
| Control Interfaces | Rear-panel DSP display with push-to-select rotary encoder |
| Onboard DSP | Yes |
| Physical Controls | Push-to-select rotary encoder |
| Warranty Length | Not specified years |
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A gem of a monitor (and FOH speaker as well). I've used countless number of monitors in my career as an engineer, and I would place this among near the top, especially when you consider price. No it's not a d&B M4, but it's also no where near the price. Where it shines: phase response, and frequency response. This is a monitor that covers up NOTHING, so you will hear everything. The coaxial speaker is also very forgiving of feedback and just sounds very professional. Its definitely a step above the MI market filled with QSC, EV, JBL etc. It is also very well constructed with no plastic - and looks GREAT on stage. I own 6 and thus far very happy with them. One warning: The FBT covers for these do NOT cover the entire speaker. In fact, these leave one side (the bottom) completely exposed. While this may not be a problem if you plan to always use them as monitors where scuffs won't be seen, but when you also use them as FOH speakers, the bottom becomes the side, you want all sides to be equally protected so there are no visible scuffs or dings over time. I returned the covers to FBT and have custom made ones on the way. BUY the speakers, pass on the covers.
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